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Books > Reference & Interdisciplinary > Museums & museology
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Conservation - Principles, Dilemmas and Uncomfortable Truths (Paperback)
Loot Price: R1,192
Discovery Miles 11 920
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Conservation - Principles, Dilemmas and Uncomfortable Truths (Paperback)
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'Conservation: Principles, Dilemmas, and Uncomfortable Truths'
presents multi-perspective critical analyses of the ethics and
principles that guide the conservation of works of art and design,
archaeological artefacts, buildings, monuments, and heritage sites
on behalf of society. Contributors from the fields of philosophy,
sociology, history, art and design history, museology,
conservation, architecture, and planning and public policy address
a wide range of conservation principles, practices, and theories
from the US, Canada, Europe, Australia and New Zealand, encouraging
the reader to make comparisons across subjects and disciplines. By
wrestling with and offering ways of disentangling the ethical
dilemmas confronting those who maintain and sustain cultural
heritage for today and tomorrow, 'Conservation: Principles,
Dilemmas, and Uncomfortable Truths' provides an essential reference
text for conservation professionals, museum and heritage
professionals, art and cultural historians, lecturers and students,
and all others invested in cultural heritage theories and
practices. Alison Richmond, as a Senior Conservator in the Victoria
and Albert Museum and Deputy Head of the Conservation Department at
the Royal College of Art, maintains teaching and research roles in
conservation theory, principles and ethics, and has developed
decision-making tools for conservators. She is an Accredited
Conservator-Restorer (ACR), a Fellow of the International Institute
for Conservation (FIIC), and a Trustee of the UK's Institute of
Conservation (Icon) since 2005. Alison Bracker received her PhD in
the History of Art from the University of Leeds, and manages the
Events & Lectures programme at the Royal Academy of Arts in
London. As co-founder of Bracker Fiske Consultants, she advises on
the presentation, description, documentation, and care of artworks
comprising modern media, and lectures and publishes widely on the
theoretical and practical issues arising from the conservation of
non-traditional and impermanent materials in contemporary works of
art.
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