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Possession (Paperback)
Loot Price: R692
Discovery Miles 6 920
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Possession (Paperback)
Series: Devil's Advocates
Expected to ship within 12 - 17 working days
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Premiering at the 1981 Cannes Film Festival, Andrzej Zulawski's
Possession remains a distinct phenomenon. Though in competition for
the illustrious Palme d'Or, its art cinema context did not rescue
it from being banned as part of the United Kingdom's 'video
nasties' campaign, alongside unashamedly lowbrow titles such as
Faces of Death and Zombie Flesh Eaters. Skirting the boundary
between art and exploitation, body horror and cerebral reverie,
relationship drama and political statement, Possession is a truly
astonishing film. Part visceral horror, part surreal experiment,
part gothic romance dressed in the iconography of a spy thriller:
there is no doubt that the polarity evinced by Possession's initial
release was in part a product of its resistance to clear
categorisation. With a production history almost as bizarre as the
film itself, a cult following gained with its VHS release, and
being re-appreciated in the decades since as a valuable work of
auteur cinema, the story of how this film came to be is as
fascinating as it is unfathomable. Alison Taylor's Devil's Advocate
considers Possession's history, stylistic achievement, and legacy
as an enduring and unique work of horror cinema. Beginning with a
marital breakdown and ending with an apocalypse, the film's
strangeness has not dissipated over time; its transgressive
imagery, histrionic performances, and spiral staircase logic remain
affective and confounding to critics and fans alike. Respecting the
film's wilfully enigmatic nature, this book helps to unpack its key
threads, including the collision between the banal and the
horrific, the socio-historical context of its divided Berlin
setting, and the significance of its legacy, particularly with
regard to the contemporary trend for extreme art horror on the
festival circuit.
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