Jean-Leon Gerome (1824-1904) was an undisputed professional
success during his lifetime. Crowds flocked to see his vividly
rendered historical and Orientalist compositions, and thanks to the
mass marketing of his work through mechanical reproduction, he
reached audiences on an unprecedented scale.From the outset,
however, his success met with critical hostility. emile Zola,
champion of edouard Manet, dismissed Gerome as a cynical
manufacturer of anecdotal images for popular consumption--a
critique repeatedly echoed by historians of modern art. In light of
revisionist and postmodern trends over the past four decades,
however, Gerome's work is now being approached with unprecedented
seriousness and refreshing creativity. The ten essays in this
volume go far in challenging critical biases against the artist and
suggesting new avenues of research. These papers indeed suggest
that we are just beginning to learn how to "read" Gerome's
paintings in their full complexity.
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