Making extensive use of archival materials by Sylvia Plath, John
Berryman, and Anne Sexton, Amanda Golden reframes the relationship
between modernism and midcentury poetry. While Golden situates her
book among other materialist histories of modernism, she moves
beyond the examination of published works to address poets'
annotations in their personal copies of modernist texts. A
consideration of the dynamics of literary influence, Annotating
Modernism analyzes the teaching strategies of midcentury poets and
the ways they read modernists like T. S. Eliot, James Joyce, Ezra
Pound, Virginia Woolf, and W. B. Yeats. Situated within a larger
rethinking of modernism, Golden's study illustrates the role of
midcentury poets in shaping modernist discourse.
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