Including over 100 illustrations from mainstream film to
independent film, video art, performance and the visual arts, this
important and original book explores how technology has affected
artists' abilities and forms to express themselves.
From analogue photography to more recent artistic practices
including digital imaging, performance robotics and video
installations, Self/Image is one of the first full length studies
to investigate the complex relations among these diverse artistic
practices.
This will make an excellent companion to studies of contemporary
art history, and media and cultural studies in the post-1960
period.
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