As the prototypical exemplar of modern visual technology,
photography was once viewed as a way to enable vision to bypass
imagination, producing more reliable representations of reality.
But as an achievement of technological modernity, photography can
also be seen as a way to realize a creation of the imagination more
vividly than can painting or drawing. Photography and Imagination
investigates, from diverse points of view focusing on both theory
and practice, the relation between these two terms. The book
explores their effect on photography's capacity, through various
forms and modalities of imaginative investments and displacements,
to affect even reality itself.
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