In Salman Rushdie's novels, images are invested with the power
to manipulate the plotline, to stipulate actions from the
characters, to have sway over them, seduce them, or even lead them
astray. Salman Rushdie and Visual Culture sheds light on this
largely unremarked ? even if central ? dimension of the work of a
major contemporary writer. This collection brings together, for the
first time and into a coherent whole, research on the extensive
interplay between the visible and the readable in Rushdie's
fiction, from one of the earliest novels ? Midnight's Children
(1981) ? to his latest ? The Enchantress of Florence (2008).
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