Produced on the fringes of philosophy and literary criticism, this
book is a pioneering study which aims to explicitly address and
thematize what may be called a "critical philosophy in the
condition of modernism". Its most important and original
contribution to both disciplines is a self-conscious reflection on
possible modes of writing philosophy today, and a systematic
comparison with what happened in literary modernism at the
beginning of the twentieth-century. The volume is divided into six
sections, where internationally renowned scholars discuss such
pressing topics as the role of an unreliable narrator in a major
philosophical treatise, the different mediums of art-production and
how these impact on our perception of the Work itself, the role of
narrative in animal ethics and the filmic adaption of a Modernist
classic.
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