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Books > Arts & Architecture > History of art / art & design styles > From 1900
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Psychomotor Aesthetics - Movement and Affect in Modern Literature and Film (Paperback)
Loot Price: R1,181
Discovery Miles 11 810
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Psychomotor Aesthetics - Movement and Affect in Modern Literature and Film (Paperback)
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In the late 19th century, modern psychology emerged as a
discipline, shaking off metaphysical notions of the soul in favor
of a more scientific, neurophysiological concept of the mind.
Laboratories began to introduce instruments and procedures which
examined bodily markers of psychological experiences, like muscle
contractions and changes in vital signs. Along with these changes
in the scientific realm came a newfound interest in physiological
psychology within the arts - particularly with the new perception
of artwork as stimuli, able to induce specific affective
experiences. In Psychomotor Aesthetics, author Ana Hedberg Olenina
explores the effects of physiological psychology on art at the turn
of the 20th century. The book explores its influence on not only
art scholars and theorists, wishing to understand the relationship
between artistic experience and the internal processes of the mind,
but also cultural producers more widely. Actors incorporated
psychology into their film acting techniques, the Russian and
American film industries started to evaluate audience members'
physical reactions, and literary scholars began investigations into
poets' and performers' articulation. Yet also looming over this
newly emergent field were commercial advertisers and politicians,
eager to use psychology to further their own mass appeal and assert
control over audiences. Drawing from archival documents and a
variety of cross-disciplinary sources, Psychomotor Aesthetics calls
attention to the cultural resonance of theories behind emotional
and cognitive experience - theories with implications for today's
neuroaesthetics and neuromarketing.
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