In the late 1960s and '70s, artists in Yugoslavia rejected the
official language of expression licensed by the regime, abstract
art, and replaced it with "anti-art" - works on the borderline of
the form that balanced between amateurism and professionalism and
breached modernist conventions. These artists seized upon the
opportunities to disseminate their art offered by film clubs -
public institutions that brought together amateur artists and
served as enclaves of freedom. "As Soon as I Open My Eyes I See a
Film" explores this crucial period in the Yugoslav art scene and
situates it in the broader cultural context of Central and Eastern
Europe.
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