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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 -

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Avant-Garde, Internationalism, and Politics - Argentine Art in the Sixties (Hardcover) Loot Price: R2,518
Discovery Miles 25 180
You Save: R193 (7%)
Avant-Garde, Internationalism, and Politics - Argentine Art in the Sixties (Hardcover): Andrea Giunta

Avant-Garde, Internationalism, and Politics - Argentine Art in the Sixties (Hardcover)

Andrea Giunta; Translated by Peter Kahn

Series: Latin America Otherwise

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Was R2,711 Loot Price R2,518 Discovery Miles 25 180 | Repayment Terms: R236 pm x 12* You Save R193 (7%)

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The 1960s were heady years in Argentina. Visual artists, curators, and critics sought to fuse art and politics; to broaden the definition of art to encompass happenings and assemblages; and, above all, to achieve international recognition for new, cutting-edge Argentine art. A bestseller in Argentina, Avant-Garde, Internationalism, and Politics is an examination of the 1960s as a brief historical moment when artists, institutions, and critics joined to promote an international identity for Argentina's visual arts. The renowned Argentine art historian and critic Andrea Giunta analyzes projects specifically designed to internationalize Argentina's art and avant-garde during the 1960s: the importation of exhibitions of contemporary international art, the sending of Argentine artists abroad to study, the organization of prize competitions involving prestigious international art critics, and the export of exhibitions of Argentine art to Europe and the United States. She looks at the conditions that made these projects possible-not least the Alliance for Progress, a U.S. program of "exchange" and "cooperation" meant to prevent the spread of communism through Latin America in the wake of the Cuban Revolution-as well as the strategies formulated to promote them. She describes the influence of Romero Brest, prominent art critic, supporter of abstract art, and director of the Centro de Artes Visuales del Instituto Tocuato Di Tella (an experimental art center in Buenos Aires); various group programs such as Nueva Figuracion and Arte Destructivo; and individual artists including Antonio Berni, Alberto Greco, Leon Ferrari, Marta Minujin, and Luis Felipe Noe. Giunta's rich narrative illuminates the contentious postwar relationships between art and politics, Latin America and the United States, and local identity and global recognition.

General

Imprint: Duke University Press
Country of origin: United States
Series: Latin America Otherwise
Release date: July 2007
First published: June 2007
Authors: Andrea Giunta
Translators: Peter Kahn
Dimensions: 242 x 163 x 32mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 432
ISBN-13: 978-0-8223-3877-2
Categories: Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > General
LSN: 0-8223-3877-7
Barcode: 9780822338772

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