Ever since his first feature film I Killed My Mother premiered at
Cannes, every film from the 29-year-old director Xavier Dolan has
generated significant critical interest. A recipient of numerous
awards, Dolan has recently taken his career to an international
level with The Death and Life of John F. Donovan. As the first
book-length study about Dolan, with case studies of key films like
Mommy (2014), Tom at the Farm (2013) and It's Only the End of the
World (2016), this volume explores the global reach of small
national and subnational cinemas. In particular, it uses Dolan's
cinema as a departure point to reconsider the position of Quebec
film and cultural imaginary within a global cinematic culture, as
well as the intersections between national, millennial and queer
filmmaking.
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