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Writing Disenchantment - British First World War Prose, 1914-30 (Hardcover)
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Writing Disenchantment - British First World War Prose, 1914-30 (Hardcover)
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It has become axiomatic that First World War literature was
disenchanted, or disillusioned, and returning combatants were
unable to process or communicate that experience. In Writing
disenchantment, Andrew Frayn argues that this was not just about
the war: non-combatants were just as disenchanted as those who
fought, and writers such as D. H. Lawrence and Virginia Woolf
produced some of the sharpest criticisms. Its language already
existed in contemporary sociological and historical accounts of the
problems of mass culture and the modern city, whose structures
contained the conflict and were strengthened during it. Archival
material, sales data and reviews are used to chart disenchantment
in a wide range of early twentieth-century war literature from
novels about fears of invasion and pacifism, through the modernist
novels of the 1920s to its dominance in the War Books Boom of
1928-30. This book will appeal to scholars and students of English
literature, social and cultural history, and gender studies. -- .
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