Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > Pre-Raphaelite art
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Portrait of a Muse - Frances Graham, Edward Burne-Jones and the Pre-Raphaelite Dream (Hardcover)
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Portrait of a Muse - Frances Graham, Edward Burne-Jones and the Pre-Raphaelite Dream (Hardcover)
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'You haunt me everywhere.' So wrote Edward Burne-Jones to Frances
Graham, his muse for the last 25 triumphant years of his life: 'I
haven't a corner of my life or my thoughts where you are not'. He
drew her obsessively, included her in some of his most famous
paintings, and showered her with gifts. Even when she betrayed him
to marry, he would return to her. To him 'all the romance and
beauty of my life means you.' This is the first biography of his
muse. In a discreet, subtle, human way, her life is a study in
power - artistic, social, political, familial, local - and all the
more fascinating for being played out from a perennial position of
weakness. What makes a muse? The word conjures up for the artist a
human cocoon of sexual allure and worship: part inspiration, part
lover and protector. Yet however beguiling, demanding and volatile
a muse could be, it remained a life surrendered to the art of
another. In Victorian England, this was especially so with the
hierarchies between the sexes so firmly entrenched. The life of a
muse to a Pre-Raphaelite artist was no different: Ruskin and Effie
Gray, Rossetti and Lizzie Siddal, both powerfully destructive
relationships that ended respectively in divorce and death. The one
who survived was Frances Graham. She had a restless, irrepressible
intelligence, able to mix at her small dinners politicians and
aristocrats with writers, artists and the up and coming, be they
Oscar Wilde or Albert Einstein. In time, she became the confidante
of three government ministers, including Asquith, the Liberal
leader. 'The Portrait of a Muse' is the tale of a remarkable woman
living in an age on the cusp of modernity.
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