The Cold War was the longest conflict in a century defined by
the scale and brutality of its conflicts. In the battle between the
democratic West and the communist East there was barely a year in
which the West was not organising, fighting or financing some
foreign war. It was an engagement that resulted in Korea,
Guatemala, Nicaragua and elsewhere in some twenty million dead.
This collection of essays analyses the literary response to the
coups, insurgencies and invasions that took place around the globe,
and explores the various thematic and stylistic trends that Cold
War hostilities engendered in world writing.
Drawing together scholars of various cultural backgrounds, the
volume focuses upon such themes as representation, nationalism,
political resistance, globalisation and ideological scepticism.
Eschewing the typical focus in Cold War scholarship on Western
authors and genres, there is an emphasis on the literary voices
that emerged from what are often considered the peripheral regions
of Cold War geo-politics.
Ranging in focus from American postmodernism to Vietnamese
poetry, from Cuban autobiography to Maoist theatre, and from
African fiction to Soviet propaganda, this book will be of real
interest to all those working in twentieth-century literary
studies, cultural studies, history and politics.
General
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