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Waving the Flag - Constructing a National Cinema in Britain (Paperback, New edition)
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Waving the Flag - Constructing a National Cinema in Britain (Paperback, New edition)
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What does it mean to talk about a `national' cinema? To what extent
can British cinema, dominated for so many years by Hollywood, be
considered a national cinema? Waving the Flag investigates these
questions from a historical point of view, and challenges the
received wisdoms of British cinema history in many ways. Andrew
Higson investigates theories of national cinema, and surveys the
development of the British film industry and film culture. Three
case studies combine histories of production and reception with
textual analysis of key films from the 1920s, 1930s, and 1940s such
as Sing As We Go, Comin Thro the Rye, andThis Happy Breed. Drawing
some revealing conclusions about the extent to which the many rich
traditions of British film-making share the same distinctive
stylistic and ideological characteristics, what emerges is a
sometimes surprising picture of a specifically national cinema.
Combining detailed analyses of film texts with studies of
industrial and cultural contexts, including critical reception,
Waving the Flag is an impressive and wide-ranging survey of the
concept of national cinema as it has developed in Britain. `by far
the best book about British film yet published', Choice `a
thoughtful, stimulating, and well-researched book.' , Sunday
Telegraph `this painstaking piece of scholarship, which manages to
home in on the most minute narrative and stylistic details of the
films under scrutiny and to excoriate notions of what "Britishness"
is all about.', `a valuable addition to British film
writing...which adds considerably to our understanding of British
cinema history', Screen `the book is packed with detailed analysis,
dense arguments, and an impressive breadth of cultural reference',
Media, Culture, and Society `an exciting new book...valuable to all
those concerned with how the cultural analysis of film relates to
the economic context.' Film Quarterly
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