In "The Twilight of the Middle Class," Andrew Hoberek challenges
the commonly held notion that post-World War II American fiction
eschewed the economic for the psychological or the spiritual.
Reading works by Ayn Rand, Ralph Ellison, Saul Bellow, Phillip
Roth, Flannery O'Connor, Thomas Pynchon, Don DeLillo, and others,
he shows how both the form and content of postwar fiction responded
to the transformation of the American middle class from small
property owners to white-collar employees. In the process, he
produces "compelling new accounts of identity politics and
postmodernism that will be of interest to anyone who reads or
teaches contemporary fiction.
Hoberek argues that despite the financial gains and job security
enjoyed by the postwar middle class, the transition to white-collar
employment paved the way for its current precarious state in a
country marked by increasingly deep class divisions. Postwar
fiction provided the middle class with various imaginative
substitutes for its former property-owning independence,
substitutes that since then have not only allowed but abetted this
class's downward mobility. To read this fiction in the light of the
middle-class experience is thus not only to restore the severed
connections between literary and economic "history in the second
half of the twentieth "century, but to explore the roots of the
contemporary crisis of the middle class.
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