The Renaissance was the Ruin-naissance, the birth of the ruin as a
distinct category of cultural discourse, one that inspired
voluminous poetic production. For humanists, the ruin became the
material sign that marked the rupture between themselves and
classical antiquity. In the first full-length book to document this
cultural phenomenon, Andrew Hui explains how the invention of the
ruin propelled poets into creating works that were self-aware of
their absorption of the past as well as their own survival in the
future.
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