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Making a Mark - Image and Process in Neolithic Britain and Ireland (Paperback)
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Making a Mark - Image and Process in Neolithic Britain and Ireland (Paperback)
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The visual imagery of Neolithic Britain and Ireland is spectacular.
While the imagery of passage tombs, such as Knowth and Newgrange,
are well known the rich imagery on decorated portable artefacts is
less well understood. How does the visual imagery found on
decorated portable artefacts compare with other Neolithic imagery,
such as passage tomb art and rock art? How do decorated portable
artefacts relate chronologically to other examples of Neolithic
imagery? Using cutting edge digital imaging techniques, the Making
a Mark project examined Neolithic decorated portable artefacts of
chalk, stone, bone, antler, and wood from three key regions:
southern England and East Anglia; the Irish Sea region (Wales, the
Isle of Man and eastern Ireland); and Northeast Scotland and
Orkney. Digital analysis revealed, for the first time, the
prevalence of practices of erasure and reworking amongst a host of
decorated portable artefacts, changing our understanding of these
enigmatic artefacts. Rather than mark making being a peripheral
activity, we can now appreciate the central importance of mark
making to the formation of Neolithic communities across Britain and
Ireland. The volume visually documents and discusses the contexts
of the decorated portable artefacts from each region, discusses the
significance and chronology of practices of erasure and reworking,
and compares these practices with those found in other Neolithic
contexts, such as passage tomb art, rock art and pottery
decoration. A contribution from Antonia Thomas also discusses the
settlement art and mortuary art of Orkney, while Ian Dawson and
Louisa Minkin contribute with a discussion of the collaborative
fine art practices established during the project.
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