The Sociolinguistics of Hip-hop as Critical Conscience - Dissatisfaction and Dissent (Hardcover, 1st ed. 2018)

This book adopts a sociolinguistic perspective to trace the origins and enduring significance of hip-hop as a global tool of resistance to oppression. The contributors, who represent a range of international perspectives, analyse how hip-hop is employed to express dissatisfaction and dissent relating to such issues as immigration, racism, stereotypes and post-colonialism. Utilising a range of methodological approaches, they shed light on diverse hip-hop cultures and practices around the world, highlighting issues of relevance in the different countries from which their research originates. Together, the authors expand on current global understandings of hip-hop, language and culture, and underline its immense power as a form of popular culture through which the disenfranchised and oppressed can gain and maintain a voice. This thought-provoking edited collection is a must-read for scholars and students of linguistics, race studies and political activism, and for anyone with an interest in hip-hop.

General

Imprint:	Springer International Publishing AG
Country of origin:	Switzerland
Release date:	2018
First published:	2018
Editors:	Andrew S. Ross • Damian J. Rivers
Dimensions:	210 x 148 x 24mm (L x W x T)
Format:	Hardcover
Pages:	271
Edition:	1st ed. 2018
ISBN-13:	978-3-319-59243-5
Categories:	Books > Language & Literature > Language & linguistics > Sociolinguistics Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > General Books > Arts & Architecture > Music > Contemporary popular music > Rock & pop > Rap & hip-hop Books > Music > Contemporary popular music > Rock & pop > Rap & hip-hop Promotions
LSN:	3-319-59243-2
Barcode:	9783319592435

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