The lost, forgotten or overlooked marginal zones and irregularities
of buildings are often unrecorded within traditional architectural
systems of representation. The marks, blemishes and scars that come
to exist within a space through use and over time are left
uncharted and unrepresented. This text explores how the body can
perform as an instrument to record and describe such trace
phenomena when used in collaboration with orthographic drawing
conventions. It reflects on a process that fuses the dynamics and
complexities of the performer's body with the fixed conventions of
architectural drawing to give a more comprehensive and detailed
representation of space.
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