Angelica Nuzzo offers a comprehensive reconstruction of Kant's
theory of sensibility in his three Critiques. By introducing the
notion of "transcendental embodiment," Nuzzo proposes a new
understanding of Kant's views on science, nature, morality, and
art. She shows that the issue of human embodiment is coherently
addressed and key to comprehending vexing issues in Kant's work as
a whole. In this penetrating book, Nuzzo enters new terrain and
takes on questions Kant struggled with: How does a body that feels
pleasure and pain, desire, anger, and fear understand and
experience reason and strive toward knowledge? What grounds the
body's experience of art and beauty? What kind of feeling is the
feeling of being alive? As she comes to grips with answers, Nuzzo
goes beyond Kant to revise our view of embodiment and the essential
conditions that make human experience possible.
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