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Books > Language & Literature > Literature: history & criticism > Poetry & poets
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Ghostly Figures - Memory and Belatedness in Postwar American Poetry (Paperback)
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Ghostly Figures - Memory and Belatedness in Postwar American Poetry (Paperback)
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From Sylvia Plath's depictions of the Holocaust as a group of
noncohering "bits" to AIDS elegies' assertions that the dead
posthumously persist in ghostly form and Susan Howe's insistence
that the past can be conveyed only through juxtaposed "scraps," the
condition of being too late is one that haunts postWorld War II
American poetry. This is a poetry saturated with temporal delay,
partial recollection of the past, and the revelation that memory
itself is accessible only in obstructed and manipulated ways. These
postwar poems do not merely describe the condition of lateness:
they enact it literally and figuratively by distorting chronology,
boundary, and syntax, by referring to events indirectly, and by
binding the condition of lateness to the impossibility of verifying
the past. The speakers of these poems often indicate that they are
too late by repetitively chronicling distorted events, refusing
closure or resolution, and forging ghosts out of what once was
tangible.Ghostly Figures contends that this poetics of belatedness,
along with the way it is bound to questions of poetic making, is a
central, if critically neglected, force in postwar American poetry.
Discussing works by Sylvia Plath, Adrienne Rich, Jorie Graham,
Susan Howe, and a group of poets responding to the AIDS epidemic,
Ann Keniston draws on and critically assesses trauma theory and
psychoanalysis, as well as earlier discussions of witness, elegy,
lyric trope and figure, postmodernism, allusion, and performance,
to define the ghosts that clearly dramatize poetics of belatedness
throughout the diverse poetry of post-World War II America.
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