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The Song of Songs in the Middle Ages (Paperback)
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The Song of Songs in the Middle Ages (Paperback)
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Included among the sacred books of Judaism and Christianity alike,
the Song of Songs does not mention God at all; on the surface it is
a lyrical exchange between unnamed lovers who articulate the range
of emotions associated with sexual love. Ann W. Astell here
examines medieval reader response, both interpretive and imitative,
to the Song. Disputing the common view that the literal meaning of
Canticles had no value for medieval readers, Astell points to
twelfth-century commentaries on the Song, as well as an array of
Middle English works, as evidence that the Song's sensuous imagery
played an essential part in its tropological appeal. Emphasizing
the ways in which a complex fusion of the Song's carnal and
spiritual meanings appealed rhetorically to a variety of audiences,
Astell first considers interpretive responses to Canticles,
contrasting Origen's dialectical exposition with the affective
commentaries of the twelfth century-ecclesiastical, Marian, and
mystical. According to Astell, these commentaries present Canticles
as a marriage song that mirrors a series of analogous marriages,
both within the individual and between human and divine persons.
Astell describes interpretations of the Song of Songs in terms of
the various feminine archetypes that the expositors emphasize-the
Virgin, Mother, Hetaira, or Medium. She maintains that the
commentat5ors encourage the auditor's identification with the
figure of the Bride so as to evoke and direct the feminine,
affective powers of the soul. Turning to literature influenced by
the Song, she then discusses how the reading process is reinscribed
in selected works in Middle English, including Richard Rolle's
autobiographical writings, Pearl, religious love lyrics, and cycle
dramas. The Song of Songs in the Middle Ages provides an innovative
model of reader response that opens the way for a deeper
understanding of the literary influence of biblical texts.
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