This book reclaims postcolonial theory, addressing persistent
limitations in the geographical, disciplinary, and methodological
assumptions of its dominant formations, and emerging from an
investment in the future of postcolonial studies and a commitment
to its basic premise; namely the conception of particular cultural
and literary articulations in relation to larger structures of
colonial and imperial domination as a way of putting the "theory
"back in postcolonial theory. To a certain extent, postcolonial
theory is a victim of its own success, in part from the
institutionalization of the insights that it has enabled: now that
they no longer seem new, it is hard to know what the field s work
should be beyond these general commitments, or what its
practitioners should be debating. The renewal of popular
anti-imperial energies across the globe provides a rare opportunity
to reassert the political and theoretical value of the postcolonial
as a comparative, interdisciplinary, and oppositional paradigm.
This collection makes a claim for what postcolonial theory "can"
say through the work of scholars articulating what it still
"cannot" or "will not" say. It explores ideas that a more
aesthetically sophisticated postcolonial theory might be able to
address, focusing on questions of visibility, performance, and
literariness. Contributors highlight some of the shortcomings of
current postcolonial theory in relation to contemporary political
developments such as Zimbabwean land reform, postcommunism, and the
economic rise of East Asia. Finally, they address the disciplinary,
geographical, and methodological exclusions from postcolonial
studies through a detailed focus on new disciplinary directions
(management studies, theories of the state), overlooked places and
perspectives (Palestine, Weimar Germany, the environmentalism of
the poor), and the necessity of materialist analysis for
understanding both world and world literary systems."
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