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Hollywood Theory, Non-Hollywood Practice - Cinema Soundtracks in the 1980s and 1990s (Hardcover, New Ed)
Loot Price: R3,877
Discovery Miles 38 770
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Hollywood Theory, Non-Hollywood Practice - Cinema Soundtracks in the 1980s and 1990s (Hardcover, New Ed)
Series: Ashgate Popular and Folk Music Series
Expected to ship within 12 - 17 working days
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Relatively little has been written about film scores and
soundtracks outside of Hollywood cinema. Hollywood Theory,
Non-Hollywood Practice addresses this gap by looking at the
practices of film soundtrack composition for non-Hollywood films
made after 1980. Annette Davison argues that since the mid-1970s
the model of the classical Hollywood score has functioned as a form
of dominant ideology in relation to which alternative scoring and
soundtrack practices may assert themselves. The first part of the
book explores some of the key theoretical issues and debates in
film studies and film music studies. The second part comprises a
series of case studies of non-Hollywood scores. Starting with Jean
Luc Godard's Prenom: Carmen (1983), Davison argues that the film's
score offers a deconstruction of the relationship between sound and
image proposed by classical Hollywood film. Derek Jarman's The
Garden (1990) takes the debate a step further in its exploration of
the possibility that a film's soundtrack may be liberated from
slavery to the image track. Wings of Desire (1987) directed by Wim
Wenders offers, Davison believes, a negotiation between classical
and alternative scoring and soundtrack practices; while David
Lynch's Wild at Heart (1990) actually fully integrates scoring and
soundtrack practices so that sounds and dialogue are used in
musical ways. Seeking to stimulate debate about the aesthetics and
interpretation of film scores and soundtracks in general, this book
develops an important synthesis of film studies and musicology.
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