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Contemporary American Drama (Hardcover, New)
Loot Price: R2,204
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Contemporary American Drama (Hardcover, New)
Series: Edinburgh Critical Guides to Literature
Expected to ship within 12 - 17 working days
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This is a comprehensive historical, social, political, and
aesthetic view of the development of contemporary theatre as an
experimental theatre of multiplicity, inclusion and diversity.This
book explores the development of contemporary theatre in the United
States in its historical, political and theoretical dimensions. It
focuses on representative plays and performance texts that
experiment with form and content, discussing influential
playwrights and performance artists such as Tennessee Williams,
Adrienne Kennedy, Sam Shepard, Tony Kushner, Charles Ludlum, Anna
Deavere Smith, Karen Finley and Will Power, alongside avantgarde
theatre groups.Saddik traces the development of contemporary drama
since 1945, and discusses the cross-cultural impact of postwar
British and European innovations on American theatre from the 1950s
to the present day in order to examine the performance of American
identity. She argues that contemporary American theatre is
primarily a postmodern drama of inclusion and diversity that
destabilizes the notion of fixed identity and questions the nature
of reality.It examines the influence of international figures such
as Aristotle, Brecht, Artaud and Boal who are central to theatre as
a discipline. It explores realistic and anti-realistic styles of
American drama and their political and social implications, along
with key critical terms and movements. It places the complexity of
contemporary American drama within its political, sexual and ethnic
contexts. It includes rare images from La MaMa Archive/Ellen
Stewart Private Collection. It also discusses in detail Stairs to
the Roof and Camino Real by Tennessee Williams, Death of a Salesman
and The Crucible by Arthur Miller, Dutchman and The Slave by Amira
Baraka, Funnyhouse of a Negro by Adrienne Kennedy, The America Play
and The Death of the Last Black Man in the Whole Entire World by
Susan-Lori Parks, The Tooth of Crime and True West by Sam Shepherd
and American Buffalo by David Mamet as well as a range of other
texts and performers. This book is suitable for students of
literature, drama and American drama and theatre.
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