The literary adventure of D.A.F. (1740-1814) is unique and
paradoxical. He was widely read in the nineteenth century, but his
books disappeared almost completely from circulation in the
century. Meanwhile the exegesis of Sade poured from the presses of
the Western world in a flood of words in which the writer, the
novelist, and the exceptional pet disappeared.
In France today, J. J. Pauvert, who considers Sade "the greatest
French writer," is publishing a new edition of the complete works
with a new introduction by Annie Le Brun. Sade: A Sudden Abyss is
the translation of this introduction, which shows Sade as the
inventor of an entirely new language through which he fathoms human
nature, desire, and relationships of power.
In this fresh and authoritative survey of Sade's work as a
whole, Le Brun frees it from such critics as Bataille, Blanchot,
Klossowski, and Barthes (who see Sade's language as a metaphor for
history, society, or writing itself). She asks, Where is Sade
himself in these texts? What exactly does Sade tell us? What is
obscured when Sade's writing is placed in a "universe of discourse"
rather than understood as a manifestation of a life spent in eleven
prisons over twenty-seven years? Like a powerful laser beam, her
reflections cut through two centuries of intellectual hide-and-seek
and let Sade for the first time be seen and read in his own
light.
Annie Le Brun is a French poet and literary theorist. Her books
include Lachez tout, a critique of the French neofeminist movement;
A distance; and Les chateaux de la subversion, a study of the
Gothic tradition.
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