The story of the artistic collaboration between the originators of
the ecosex movement, their diverse communities, and the Earth
 What’s sexy about saving the planet? Funny you should
ask. Because that is precisely—or, perhaps, broadly—what Annie
Sprinkle and Beth Stephens have spent many years bringing to light
in their live art, exhibitions, and films. In 2008, Sprinkle and
Stephens married the Earth, which set them on the path to explore
the realms of ecosexuality as they became lovers with the Earth and
made their mutual pleasure an embodied expression of passion for
the environment. Ever since, they have been not just pushing but
obliterating the boundaries circumscribing biology and ecology,
creating ecosexual art in their performance of an environmentalism
that is feminist, queer, sensual, sexual, posthuman, materialist,
exuberant, and steeped in humor. Assuming the Ecosexual Position
tells of childhood moments that pointed to a future of
ecosexuality—for Annie, in her family swimming pool in Los
Angeles; for Beth, savoring forbidden tomatoes from the vine on her
grandparents’ Appalachian farm. The book describes how the two
came together as lovers and collaborators, how they took a stand
against homophobia and xenophobia, and how this union led to the
miraculous conception of the Love Art Laboratory, which involved
influential performance artists Linda M. Montano, Guillermo
Gómez-Peña, and feminist pornographer Madison Young. Stephens and
Sprinkle share the process of making interactive performance art,
including the Chemo Fashion Show, Cuddle, Sidewalk Sex Clinics, and
Ecosex Walking Tours. Over the years, they celebrated many more
weddings to various nature entities, from the Appalachian Mountains
to the Adriatic Sea. To create these weddings, they collaborated
with hundreds of people and invited thousands of guests as they
vowed to love, honor, and cherish the many elements of the Earth.
As entertaining as it is deeply serious, and arriving at a perilous
time of sharp differences and constricting categories, the story of
this artistic collaboration between Sprinkle, Stephens, their
diverse communities, and the Earth opens gender and sexuality, art
and environmentalism, to the infinite possibilities and promise of
love.
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