First published in 1986. The focus of this book is the dramatic
strategies of scenic repetition and character separation. The
author traces the way in which Shakesperare often presents
recurring gestures, dramatic interactions, and complex scenic
structures at widely separated intervals in a play - thereby
providing an internal system of cross-reference for an audience. He
also examines the way in which Shakespeare increases the dramatic
voltage in central relationships by limiting the access key
characters have to each other on stage. These strategies, it is
argued, are indelible marks of Shakespeare's craftsmanship which
survive all attempts to obliterate it in many modern productions.
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