This study describes and analyzes the phenomenal popularity of
exotic dance forms among mainstream Americans. Throughout the
twentieth century and especially since 1950, millions of Americans
have begun learning and performing various Balkan dances, the
tango, and other Latin American dances, along with the classical
dances of India, Japan, and Indonesia.While most previous studies
in dance ethnography and anthropology have focused specifically on
""dancing in the field,"" or the dancing that native dancers do in
their own environments, this study turns the tables to examine the
ways in which ethnic dancing has allowed many Americans to create
more exciting and romantic identities through dancing the dances of
the ""exotic other,"" if only within the framed moment of a
one-time dance lesson or performance. Throughout the work, the
author describes the uniquely American enthusiasm for learning
exotic dances, describing specific deficiencies in the American
cultural identity that have led massive numbers of Americans to
seek new or alternative identities through the various exotic dance
genres.
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