The "Hip-hop Nation" has been scouted, staked out, and settled by
journalists and scholars alike. Antonio T. Tiongson Jr. steps into
this well-mapped territory with questions aimed at interrogating
how nation is conceptualized within the context of hip-hop. What
happens, Tiongson asks, to notions of authenticity based on
hip-hop's apparent blackness when Filipino youth make hip-hop their
own?
Tiongson draws on interviews with Bay Area-based Filipino
American DJs to explore the authenticating strategies they rely on
to carve out a niche within DJ culture. He shows how Filipino
American youth involvement in DJing reconfigures the normal
boundaries of Filipinoness predicated on nostalgia and cultural
links with an idealized homeland. "Filipinos Represent" makes the
case that while the engagement of Filipino youth with DJ culture
speaks to the broadening racial scope of hip-hop--and of what it
means to be Filipino--such involvement is also problematic in that
it upholds deracialized accounts of hip-hop and renders difference
benign.
Looking at the ways in which Filipino DJs legitimize their place
in an expressive form historically associated with African
Americans, Tiongson examines what these complex forms of
identification reveal about the contours and trajectory of
contemporary U.S. racial formations and discourses in the
post-civil rights era.
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