A central feature of the newer forms of authenticity is that they
replace the truth of what is presented with the truthfulness of the
presentation. While academic discussion of authenticity has focused
mainly on the aesthetic aspects, this volume focuses on the
narrative dimension of the phenomenon. The authors thereby reveal a
conceptual shift from referential to relational authenticity. The
essays examine issues related to production, narration, and
reception, and thus provide the first contribution from narrative
theory to research on authenticity.
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