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British Music after Britten (Hardcover)
Loot Price: R3,489
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British Music after Britten (Hardcover)
Series: Aldeburgh Studies in Music
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By common consent the leading British composer of the
twentieth-century's middle decades, Britten continues to create
significant contexts for the work of those who survived and
succeeded him. This collection of revised reprints of essays,
reviews and analyses first published between 1995 and 2018 surveys
a cross-section of contemporary classical composition in the UK.
The governing perspective is the impact of the life and work of
Benjamin Britten (1913-1976) on British composers who, with the
exception of Michael Tippett and Robert Simpson, were born between
the 1930s and the 1980s. Despite obvious and considerable
differences in character and style, British composers like Harrison
Birtwistle and Thomas Ades, Robin Holloway and James Dillon, have
continued, like Britten himself, to seek personal perspectives on
the still prominent procedures and personalities of more distant
baroque, classical and romantic eras. Most if not all of these
composers would deny being influenced by Britten, and many have
reservations about his music. Yet, in light of the fact that
British musical life and the institutions that support it have not
changed radically since Britten's own time - the pace of
technological change notwithstanding - to speak of 'British music
after Britten' inevitably involves something more than mere
chronology. As by common consent the leading British composer of
the twentieth-century's middle decades, Britten continues to create
significant contexts for the work of those who survived and
succeeded him.
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