Focusing primarily on the work of Samuel Beckett, Toni Morrison,
Wole Soyinka, and J. M. Coetzee, Ato Quayson launches a thoroughly
cross-cultural, interdisciplinary study of the representation of
physical disability. Quayson suggests that the subliminal unease
and moral panic invoked by the disabled is refracted within the
structures of literature and literary discourse itself, a crisis he
terms "aesthetic nervousness." The disabled reminds the able-bodied
that the body is provisional and temporary and that normality is
wrapped up in certain social frameworks. Quayson expands his
argument by turning to Greek and Yoruba writings, African American
and postcolonial literature, depictions of deformed characters in
early modern England and the plays of Shakespeare, and children's
films, among other texts. He considers how disability affects
interpersonal relationships and forces the character and the reader
to take an ethical standpoint, much like representations of
violence, pain, and the sacred. The disabled are also used to
represent social suffering, inadvertently obscuring their true
hardships.
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