Blood in the Streets investigates the various ways in which 1970s
Italian crime films were embedded in their immediate cultural and
political contexts. The book analyses the emergence, proliferation
and distribution of a range of popular film cycles (or filoni) -
from conspiracy thrillers and vigilante films, to mafia and serial
killer narratives - and examines what these reveal about their time
and place. With industrial conditions geared around rapid
production schedules and concentrated release patterns, the
engagement in these films with both the contemporary political
turmoil of 1970s Italy and the traumas of the nation's recent past
offers a range of fascinating insights into the wider anxieties of
this decade concerning the Second World War and its ongoing
political aftermath.
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