In "Narrated Films," Avrom Fleishman explores the distinctive
literary techniques often used by filmmakers to tell their stories.
Through close viewings of ingeniously paired films, Fleishman
documents five narrational practices in the cinema: voice-over (
"Orpheus" and "Sunset Boulevard"); dramatized narration, in which
the film is a story that one character tells another ( "The Cabinet
of Dr. Caligari" and "Hiroshima Mon Amour"); multiple narration, in
which a number of characters tell the story that is the film (
"Rashomon" and "Zelig"); written narration, whether through diaries
or letters ( "Letter from an Unknown Woman" and "Diary of a Country
Priest"); and the cinematic version of interior monologue, which
Fleishman terms "mindscreen narration" ( "Brief Encounter" and
"Daybreak").
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