When "Speech and Audio Signal Processing" published in 1999, it
stood out from its competition in its breadth of coverage and its
accessible, intutiont-based style. This book was aimed at
individual students and engineers excited about the broad span of
audio processing and curious to understand the available
techniques. Since then, with the advent of the iPod in 2001, the
field of digital audio and music has exploded, leading to a much
greater interest in the technical aspects of audio processing.
This "Second Edition" will update and revise the original book
to augment it with new material describing both the enabling
technologies of digital music distribution (most significantly the
MP3) and a range of exciting new research areas in automatic music
content processing (such as automatic transcription, music
similarity, etc.) that have emerged in the past five years, driven
by the digital music revolution.
New chapter topics include: Psychoacoustic Audio Coding,
describing MP3 and related audio coding schemes based on
psychoacoustic masking of quantization noiseMusic Transcription,
including automatically deriving notes, beats, and chords from
music signals.Music Information Retrieval, primarily focusing on
audio-based genre classification, artist/style identification, and
similarity estimation.Audio Source Separation, including
multi-microphone beamforming, blind source separation, and the
perception-inspired techniques usually referred to as Computational
Auditory Scene Analysis (CASA).
General
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