Susan Sontag (1933-2004) spoke of the promiscuity of art and
literature--the willingness of great artists and writers to
scandalize their spectators through critical frankness, complexity,
and beauty. Sontag's life and thought were no less promiscuous. She
wrote deeply and engagingly about a range of subjects--theater,
sex, politics, novels, torture, and illness--and courted celebrity
and controversy both publicly and privately. Throughout her career,
she not only earned adulation but also provoked scorn. Her living
was the embodiment of scandal.
In this collection, Terry Castle, Nancy K. Miller, Wayne
Koestenbaum, E. Ann Kaplan, and other leading scholars revisit
Sontag's groundbreaking life and work. "Against Interpretation,"
"Notes on Camp," "Letter from Hanoi," "On Photography," "Illness as
Metaphor," "I, Etcetera," and "The Volcano Lover"--these works form
the center of essays no less passionate and imaginative than Sontag
herself. Debating questions raised by the thinker's own images and
identities, including her sexuality, these works question Sontag's
status as a female intellectual and her parallel interest in
ambitious and prophetic fictional women; her ambivalence toward
popular culture; and her personal and professional "scandals."
Paired with rare photographs and illustrations, this timely
anthology expands our understanding of Sontag's images and
power.
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