This Anglo-American collection of essays on Middlemarch comprises a
many-faceted study of a great and much-discussed novel. Written by
scholars on both sides of the Atlantic who are linked by a close
and concentrated interest in the novel, this group of complementary
and interrelated studies is representative of its time, both in its
range and in the way it looks back and ahead in methods and
conclusions. It mixes formal analysis and doubts about formal
analysis; studies of background and studies of foreground; and
proffers examples of linguistic criticism of a relaxed and eclectic
kind. Readers already familiar with Middlemarch will get much from
the book, but it will be useful to both students and scholars of
the novel form. Because Middlemarch is a novel of such range and
profundity, a treasure-house of detail and a remarkable whole, a
fine and subtle work of art and a creation of character and
communities, it raises issues which touch off responses to most
novels.
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