View the Table of Contents. Read the Introduction.
aThis is a rich portrait of a complex period that has been long
neglected.a
--"Booklist"
"This is a vital reappraisal. These essays compellingly return
to the often-neglected period known in African American history as
'The Nadir' to ensure that it will never again be seen as a
cultural disappointment."
--Carla Kaplan, author of "Zora Neale Hurston: A Life in
Letters"
The years between the collapse of Reconstruction and the end of
World War I mark a pivotal moment in African American cultural
production. Christened the "Post-Bellum-Pre-Harlem" era by the
novelist Charles Chesnutt, these years look back to the antislavery
movement and forward to the artistic flowering and racial
self-consciousness of the Harlem Renaissance.
Post-Bellum, Pre-Harlem offers fresh perspectives on the
literary and cultural achievements of African American men and
women during this critically neglected, though vitally important,
period of our nation's past. Using a wide range of disciplinary
approaches, the sixteen scholars gathered here offer both a
reappraisal and celebration of African American cultural production
during these influential decades. Alongside discussions of
political and artistic icons such as Booker T. Washington, W.E.B.
Du Bois, Henry Ossawa Tanner, and James Weldon Johnson are essays
revaluing figures such as the writers Paul and Alice Dunbar-Nelson,
the New England painter Edward Mitchell Bannister, and
Georgia-based activists Lucy Craft Laney and Emmanuel King
Love.
Contributors explore an array of forms from fine art to
anti-lynching drama, from sermons to ragtime and blues, and from
dialect pieces and early blackmusical theater to serious
fiction.
Contributors include: Frances Smith Foster, Carla L. Peterson,
Gwendolyn DuBois Shaw, Audrey Thomas McCluskey, Barbara Ryan,
Robert M. Dowling, Barbara A. Baker, Paula Bernat Bennett, Philip
J. Kowalski, Nikki L. Brown, Koritha A. Mitchell, Margaret Crumpton
Winter, Rhonda Reymond, and Andrew J. Scheiber.
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