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Richard Wagner and the Centrality of Love (Hardcover)
Loot Price: R1,673
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Richard Wagner and the Centrality of Love (Hardcover)
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Emslie's study of Wagner's creativity examines the centrality of
love - and its obverse, hate - to the composer's world view.
Richard Wagner and the Centrality of Love is a bold book which
argues that Wagner's music dramas cannot be understood if treated
separately from his essays, his life, the intellectual and artistic
climate of his day, and the broader history of Germany. Wagner
attempts a range of reconciliations that are radical in content and
form and appear to succeed partly because he is in well-nigh
complete command of the aesthetic product; not only text and music,
but also production practice. Nonetheless, all the reconciliations
ultimately break down, but in a manner that is illuminating. This
is not a celebration of the seamless work of art, but a radical
unpicking of the seemingly seamless. 'Love' is the central
organising concept of the whole Wagnerian project. Love - sexual
and spiritual, egotistical and charitable, love of the individual
and of the race - is the key Wagnerian driving force. And therefore
so is hate. Of course Wagner cannot employ love without its
opposite, and it is critically significant that his anti-semitism
is based upon his view that the Jews are 'loveless'. The book
handles Wagner's anti-semitism (andthe ongoing row about it) in a
unique way, in that it is shown to be aesthetically and
intellectually productive (for him!). This leads to a radical
reinterpretation of Wagner's music dramas. BARRY EMSLIE is an
independent scholar who lives and teaches in Berlin.
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