This book presents the phenomenon of Afro-Caribbean poetry in
English from Jamaican classic dub poetry of the 1970s to (Black)
British post-dub verse of the 2000s. It showcases the literary
continuum, as represented by Jamaican, Jamaican-British, and
ultimately (Black) British writers - Mutabaruka, Michael Smith,
Linton Kwesi Johnson, Jean Binta Breeze, Benjamin Zephaniah, and
Patience Agbabi, respectively. The work of these authors represents
a gradual shift from the emphasis on ethics to the preponderance of
aesthetics that include social concerns typical of classic dub
poetry.
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