This collection offers a response to the view that migration
disrupts national heritage. Investigating the mediation provided by
migrant art, it asks how we can rethink art history in a way that
uproots its reliance on space and place as stable definitions of
style. Beginning with an invaluable overview of migration studies
terminology and concepts, Art and migration opens dialogues between
academics of art history and migrations studies through a series of
essays and interviews. It also re-evaluates the cultural
understanding of borders and revisits the contours of the art world
- a supposedly globalised community re-assessed here as
structurally bordered by art market dynamics, career constraints,
gatekeeping and patronage networks. -- .
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