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Aesthetics as Secular Millennialism - Its Trail from Baumgarten and Kant to Walt Disney and Hitler (Hardcover)
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Aesthetics as Secular Millennialism - Its Trail from Baumgarten and Kant to Walt Disney and Hitler (Hardcover)
Series: New Studies in the Age of Goethe
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The concept of secular millennialism summarizes a crucial point
made by Hannah Arendt in The Origins of Totalitarianism: that
twentieth-century totalitarian movements, in Nazi Germany and in
the Soviet Union under Stalin, are not nationalistic but
essentially millennialist, focused on the achievement of a
universal world order. The question of whether totalitarian
thinking can be located in a secular millennialist tradition is
brought to the forefront in Aesthetics as Secular Millennialism:
Its Trail from Baumgarten and Kant to Walt Disney and Hitler by
Benjamin Bennett. Bennett contends that the new philosophical
science of aesthetics-beginning in the eighteenth century with
Baumgarten, Kant, and Schiller-is the source of such a tradition.
Bennett uses the term "aesthetics" to designate a tradition which
begins under that name but, in the course of the nineteenth
century, concerns itself less directly with questions of beauty or
art while not losing its secular millennialist tendency. He argues
that modern philosophical hermeneutics, in Dilthey, Heidegger, and
Gadamer, belongs to the aesthetic tradition. Bennett explores the
realistic novel as the main vehicle by which aesthetic tradition
maintains itself in the nineteenth century and attracts a large
popular following. The argument culminates in a discussion of
relations among aesthetics, totalitarian propaganda, and the
"totalitarian imagination" with its dream of "human omnipotence"
(Arendt). Aesthetics as Secular Millennialism also maintains an
attentiveness to instances of resistance against the aesthetic
impetus in history-hence ultimately against totalitarianism.
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