As with many aspects of European cultural life, film was galvanized
and transformed by the revolutionary fervor of 1968. This
groundbreaking study provides a full account of the era's cinematic
crises, innovations, and provocations, as well as the social and
aesthetic contexts in which they appeared. The author mounts a
genuinely fresh analysis of a contested period in which everything
from the avant-garde experiments of Godard, Pasolini, Schroeter,
and Fassbinder to the "low" cinematic genres of horror,
pornography, and the Western reflected the cultural upheaval of
youth in revolt-a cinema for the barricades.
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