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Kitty Clive, or The Fair Songster (Hardcover)
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Kitty Clive, or The Fair Songster (Hardcover)
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Kitty Clive (1711-1785) was a top London stage star. She dominated
spoken as well as musical comedy. From the 1740s onwards, her
reputation suffered a sharp decline. For anyone curious about star
production in eighteenth-century Britain, her story is not to be
missed. Kitty Clive (1711-1785) was a top London stage star.
Singing powered her ascent and, for twenty years, was foundational
to her success as she came to dominate spoken as well as musical
comedy. Her protean powers transfixed audiences, whether in
low-style productions or in works by masters like Purcell,
Shakespeare, and Dryden. Celebrities such as Handel and Henry
Fielding wrote vehicles for her. Clive's career was unique. Despite
a sometimes awkward biography - her father was a disgraced Irish
Catholic; she defied managers; her marriage was almost certainly a
social ruse and her 'husband' a homosexual - her musical voice
helped her to become the champion of British song, of patriotism,
and of propriety. Yet in the 1740s, critical opinion turned against
Clive and the financial power she wielded. Salvaging her career
with David Garrick's help, Clive gutted her legacy. She quit
serious song and took to caricaturing herself on stage, winning
back audiences by disparaging her earlier achievements. Altering
works mid-performance, creating and re-shaping stage genres, and
leveraging press coverage while seeming not to, she was above all a
shrewd manager and a fascinating stage artist. Clive's career
reveals to us gorgeous song otherwise lost and perspectives
previously unknown. For music historians, musicologists, theatre
scholars, and anyone curious about performance history and star
production in eighteenth-century Britain, her story is not to be
missed. BERTA JONCUS is Senior Lecturer in Music at Goldsmiths,
University of London.
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