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Women's Authorship and Editorship in Victorian Culture - Sensational Strategies (Hardcover)
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Women's Authorship and Editorship in Victorian Culture - Sensational Strategies (Hardcover)
Series: Oxford English Monographs
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This book considers the ways in which women writers used the
powerful positions of author and editor to perform conventions of
gender and genre in the Victorian period. It examines Mary
Elizabeth Braddon, Ellen Wood, and Florence Marryat's magazines
(Belgravia, Argosy, and London Society respectively) alongside
their sensation fiction to explore the mutually influential
strategies of authorship and editorship. The relationship between
sensation's success as a popular fiction genre and its
serialisation in the periodical press was not just reciprocal but
also self-conscious and performative. Publishing sensation in
Victorian magazines offered women writers a set of discursive
strategies that they could transfer onto other cultural discourses
and performances. With these strategies they could explore, enact,
and re-work contemporary notions of female agency and autonomy, as
well as negotiate contemporary criticism. Combining authorship and
editorship gave these middle-class women exceptional control over
the shaping of fiction, its production, and its dissemination. By
paying attention to the ways in which the sensation genre is rooted
in the press network this book offers a new, broader context for
the phenomenal success of works like Mary Elizabeth Braddon's Lady
Audley's Secret and Ellen Wood's East Lynne. The book reaches back
to the mid-nineteenth century to explore the press conditions
initiated by figures like Charles Dickens and Mrs Beeton that
facilitated the later success of these sensation writers. By
looking forwards to the New Woman writers of the 1890s the book
draws conclusions regarding the legacies of sensational
author-editorship in the Victorian press and beyond.
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