The number and popularity of novels that have overtly
reconfigured aspects of classic American texts suggests a curious
trend for both readers and writers, an impulse to retell and reread
books that have come to define American culture. This book argues
that by revising canonical American literature, contemporary
American writers are (re)writing an American myth of origins,
creating one that corresponds to the contemporary writer s
understanding of self and society. Informed by cognitive
psychology, evolutionary literary criticism, and poststructuralism,
Entzminger reads texts by canonical authors Poe, Hawthorne,
Melville, Alcott, Twain, Chopin, and Faulkner, and by the
contemporary writers that respond to them. In highlighting the
construction and cognitive function of narrative in their own and
in their antecedent texts, contemporary writers highlight the fact
that such use of narrative is universal and essential to human
beings. This book suggests that by revising the classic texts that
compose our cultural narrative, contemporary writers mirror the way
human individuals consistently revisit and refigure the past
through language, via self-narration, in order to manage and
understand experience.
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