Most anthologies of Renaissance writing include only (or
predominantly) male writers, whereas those that focus on women
include women exclusively. This book is the first to survey both in
an integrated fashion. Its texts comprise a wide range of canonical
and non-canonical writing -- including some new and important
discoveries. The texts are arranged so that writing by women and
men is presented together, not in a "point-counterpoint" system
that would "square off" female and male writers against one
another, but rather in pairs, sometimes clusters, of texts in which
women's writing is foregrounded even as it appears with writing by
men.
The anthology arranges recently recovered texts into intriguing
patterns, juxtaposing, for example, Aemelia Lanyer's country house
poem with an expression of a different type of nostalgia by Surrey.
It includes unconventional voices, as in the homoerotic poems by
Richard Barnfield or the possibly lesbian poems by Katherine
Philips. It makes newly available the voices of English Marrano
women (secret Jews) and the Miltonic poetry of Jean Lead.
General
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